8/31/07

COSF 100 Midterm 1

Introduction to Communication as a Social Force in-class midterm #1

First Essay
In an attempt to understand the media, two major models have arisen, each withpublic interest as an important element. The market model and the public sphere model both try to protect the public interest but conceive and define it in different ways. The market model sees the public interest as what interests the public, therefore believing that simple free marknamics will fully fill the public interest and so want limited involvement by the state, where it only intervenes to protect property rights and the market's functioning. The public sphere model for the media looks at the public interest as what furthers democracy, stimulates discussion, and represents society. Such a view feels the state should intervene to ensure that the media are fulfilling these requirments.

The market model believes that the public will get its interest because corporate media will look to please the public for profits. Since they define public interest as what interests the public, to a certain extent that's true. As Rupert Murdoch and NewsCorp has learned, people enjoy watching car wrecks, animal attacks, cop shows, and reading about gossip and scandal. In this way (and by using the market model's take on public interest) NewsCorp through its Fox network, The News of the world, The sun, and its other holdings, does give the they want (arguably at the expense of the social fabric). In the Texas Las review article (Texas Law Review 60, no. 2 (1982):207-257), the authors took a very market model view. They believed that through the diverse and numerous media channels, people's desires will be fulfilled, and thefore the public interest will be served. That's why they advocated that the state take a hands-off approach to media management, letting the market decide the price of the transmission spectrum, and other avenues, and the content to provide. They believe (in accordance with the market model) that the government should only intervene to ensure a functioning market through protecting property and broadcast rights, ensuring a stable economic system and dollar, and allowing corporations to seek their profits. The market model view of public interest is limited to what interests the public and what is popular.

The public sphere model looks at public interest as democratic freedom (where people are citizens and have "one person - one vote," not "one dollar - one vote"), information, diverse views, innovation, and open for public discussion. Under this model, the media are tools and a means to strengthen society, increase awareness, and further democratic involvement. The BBC seeks to "represent Britains to Britain." In this way, they are furthering awareness and discussion about various real world issues that the average British citizen faces. Television for the BBC goes beyond mere entertainment to breech the ground of real-life issues that must be critically looked at, not avoided. Similarly, the CBC looks to strengthen the social, political, and cultural fabric of Canada. In order to do this, they give representation to a wide array of marginalized groups and look at important political events (like Rememberence Day). By doing this they bond Canada together, and inform them of others who are different from them, and show them why different isn't bad. In this model, the state should ensure the media strengthen society by providing funding and/or ensuring diverse content.

Both the public sphere and the market models claim to serve the public interest, but each define it in different ways. It is up to us to decid which public interest we prefer and push to help make that model more of a reality.



Second Essay
In The Business of Media, Croteau and Hoynes look at the business strategies of media conglomerates and the wayategies affect media content. These effects should concern the public as the public sphere is being limited. The conglomerates ultimate goal is profits, and in order to make the money, they have various strategies which affect both content and the public.

Conglomerates look to sensationalization and fluff. They use sensationalism to capture the audience's attention and use fluff to not offend viewers or advertisers. This severely limits the quality of information the public recieves. In the McHallin article, the example story they look at on AIDs education amounted to nothing (and was intentionally misleading on top of that). Such stories interest the public (and often outrage) but do not amount to anything substantial.

Corporations also let the quest for profits censor their content. Reporters self-cnsor content they know might not go over will with owners or advertisers. Also with the destruction of the church-state wall, censorship comes from within the company. Stories that might offend the tobacco industry (for example) were/are either not aired or end up hurting profits as happened with one example newspaper. Also NewsCorp didn't print a book that represented the Chinese government unfavorably because they were trying to strike a deal as a satellite provider with China.

Another affect of the breakdown of the church0state wall can be seen with the addition of sections of newspapers which come down to advertisements (like for home improvement products, pharmeceuticals, or even travel resorts. Also stories will be pursued that will look good to advertisers. Like unbeknownst to the writers or the public, the Los Angeles Times struck a deal with the Staples Center to promote it. That seriously compromised Journalistic ethics, especially because the reporters were kept in the dark. Also, book reviewers (especially when content is offered online) have a conflict of interest since they get money based upon purchases made by certain booksellers. This biases the reviewers to write good reviews so they and the newspaper will profit.

Through conglomerates diverse holdings (integrated both horizontally and vertically) conflicts of interest arise if news breaks about another arm of the corporate squid. For example, ABC news didn't run a 20/20 episode on problems at Disneyworld because Disney owned ABC. Also GE's NBC covered a story on defective bolts but failed to mention that these bolts were used in GE's Nuclear reactors (until they were criticized for the ommission).

Through conglomerations gobbling up of other companies and their ultimate quest for profits, corperations have interest in many business strategies that translate into affects on media context. Sometimes it's more benign (like the George Lopez Show's trip to Disneyland after Disney bought ABC and the show) or more harmful (like not revealing information about the 1996 Telecommunications Act which would be detrimental to the public), but either way it's democracy and the public that ultimately suffer.

8/28/07

Articulation

My Contrite Articulation and Extension of Gitlin's The Whole World is Watching

Protesters and activists are often looked at in the same form as "the exotic." They are put up to be "the other" in oppositional contrast to "the us." In this role they can solidify the us. Until, as Gitlin explores, there comes an "elevated moderate alternatives" that serve to compromise the supposed monolithic hegemeny to make way for the inocuous claims and aims of the other while rejecting the most radical goals. In this way the us is able to bend towards the other...but not so far as to actually compromize a complete upset of the status quo. Often, like in the exotic's fetishes and "artifacts" (ie. totems, beedwork, rugs, carvings, masks, bowls, pottery, etc.) the other's elements are not only marginalized and reduced, but also commodified. In the case of the exotic, their entire culture is looked at and commodofied, from their tools, their religion, to every element of their culture. With protesters, the extreme others are still exotic, uncivilized, and deviant, thus rationalizing "elevating moderate alternatives" reinforced with the media and by the commodified trendiness of the objects and visage of the other (ie. peace signs, hemp clothes, punk attire, skirts with pants, etc.).

Fearless + Dreamscape

Fearless

How can I explain it any better
than just showered, zipping up your clothes
Getting ready for a day that I will hide from
I can't say no and yet I don't regret
And in the morning glow I can't help but smile
Cuz I have hope that it too can happen to me.


Dreamscape

There's a demon through the mirror,
and I cannot face him down.
There's are ghosts inside my head,
They are screaming at me now
But they're all I have for friends
In my filthy little hole
Cuz no one comes for me
I'm just an lonely soul
And when I close my eyes,
It's the devil that I see
And he takes me and he breaks me
Till i'm begging on my knees.
The ghosts blew out the flames
That used to burn in me
And all their voices echo
That they'll never set me free.

8/25/07

Southbound

It's dark I'm cold and lonely
Walking towards my empty place
I know that you won't be there
But i'll still hope to see your face
I'm standing on the corner,
Wondering what good you are to me.
I'm waiting on the red light
But know green won't set me free.
Cuz i'm walking in a haze
And I am feeling almost blind
Missing you in spite of everything
And I'm losing my own mind.
Behind me I hear footsteps
So I quicken up my pace
But I turn and I see no one,
Just the phantom of my shame.
When I arrive I crawl in bed
So cold without you near
But I know it isn't worth it
Cuz when I need you, you're not there
In the dark of night
I just try to let it go

In my bones I feel I'm nothing,
And I'll be left to die alone.

8/22/07

Faithfully

I held faith in all the wrong things and now i must pay.
So i pay in the tears I shed; the tears that they crave
There's no life left in me and I've lost every hope
This is what hell is. This is the depths of it all.
This is what I deserve, this is the pain that craves death
And my souls burns in flames with no shelter in sight
And I find myself shrinking as the world grows huge.
A wonderland nightmare that won't stay in my dreams
And so I am shrinking, and falling forever down
Not a thing to hold onto
Not even my soul.

8/20/07

Would You...?

Take the air out of my lungs,
And the gun out of my hands.
Hide the world from my vision
And lead me through the dark.
Oh, pump the pills from out my stomach,
and dress the slits running my wrists.
Cradle me like a baby,
Like the lost child that I am.
And that ghost that sings to me,
Please free him from my mind.
For I have nothing left to give him,
And his voice is scaring me.
Please guide me past his doorstep
And don't let him steal my soul.
And the waves crashing on his beach
All sing out to me
Like a chorus of God's angels
Begging me to go.
So save me from that ocean
and from the siren's song.
For my scars are all I'm left with
They still hurt like yesterday.
And yet I still remember
That heaven's a world away.

8/15/07

The War of Life and Death

The dark and the light wage war within myself.
On the one side there is a life forgotten, a battle tide that edges out the soul itself with darkness as the final flag. And on the other side lies a soul bathed in light. But it has no final flag for light must always give way to dark when it finally fades away. And so with life - To live for the day is to put off the inevidable death's embrace. So why does the light push so hard? How can the light fight off and adversary it cannot see or touch and which encircles the light at all sides? Destiny lies with dark (to it must be given way). But light still fights.
How empowering?
Evil and good lie within engaged in the battle for all that might be. But what would the war look like if one could be both light and dark? Both good and evil? Both an angel and a demon? What a new adversary emerge? Would good and evil reign and rage over some other force benign until arms are taken up against? Would that other force find favor in the light? Or could it sway the dark? Or perhaps would its weight drag both dark and light away? Both evil and good beyond the bounds of common thought?
How status-quo?
What if the battle was not of light on dark or day from night. What if the dark let light live as long as it might? For it knows that in the end the dark must come, so why not resign itself to let life shine itself in peace, knowing that then the dark will rest in tranquility following a day of bliss instead of struggle?
How utopian?
And yet there is no utopia. There is no victor no peace inside my soul. Not yet. Not today. Despondency.